Seated Woman Clasping Her Feet, 1915 – Egon Schiele

By

Seated Woman Clasping Her Feet 1915 Egon Schiele

Egon Schiele:
Seated Woman Clasping Her Feet (Sitzende Frau, die ihre Füße umfasst), 1915
Pencil on paper
48 × 31.5 cm
© Leopold Museum, Vienna
(Kallir d1747)

Seated Woman Clasping Her Feet shows Schiele working with a bare, honest line in the middle of the war years. The woman folds forward in an uneven, slightly twisted pose, one arm resting on her knee while the other drops loosely toward the floor. Her head sinks deep into her chest, the neck compressed, giving the whole figure a closed, inward feeling. The limbs stretch into long, sharp shapes, the knees and elbows jutting out in that unmistakable way Schiele used to show tension in the body. Her clothing is only lightly suggested, almost a few strokes, which adds to the sense of exposure and quiet strain.

The pencil line is dry and broken, moving with a nervous rhythm. It starts, stops, and picks up again, as if Schiele were feeling his way along the form rather than drawing it in one sweep. There is no softness here — the contours are sharp, the pressure uneven, and the figure sits tight within the page, leaving little empty space around her. This closeness gives the drawing a sense of being held in, as if the figure has pulled herself into a small, protective shape. The signature and date at the lower right sit firmly on the sheet, anchoring it in 1915.

This was a difficult year for Schiele. The war had changed the world around him, many friends were gone, and the lively art circles of Vienna before 1914 had faded. His marriage to Edith brought a new steadiness, but his drawings from this time often show people turned inward, holding themselves together. The bold, twisting bodies of his earlier years give way to quieter, more concentrated poses. Here, the emotion sits inside the body, in the bent spine, the clasped feet, the dropped head.

Schiele had a rare gift for showing the inner life of a person through the simplest gesture. In this drawing, the tension is gentle but real. The figure feels present, human, and unguarded. With only a few lines, he turns a small, folded pose into something that stays with you.

Posted In ,

One response to “Seated Woman Clasping Her Feet, 1915 – Egon Schiele”

  1. Margarita. Avatar

    I think that marriage wasn’t good for him. I’m not wrong.

Leave a Reply

Discover more from Schiele & Klimt: The Art of Secession and Beyond

Subscribe now to keep reading and get access to the full archive.

Continue reading